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Perfect rhyme (also called full rhyme, exact rhyme, [1] or true rhyme) is a form of rhyme between two words or phrases, satisfying the following conditions: [2] [3] The stressed vowel sound in both words must be identical, as well as any subsequent sounds. For example, the words kit and bit form a perfect rhyme, as do spaghetti and already. [4] [5]
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (perfect rhyming) is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. [1]
Dale identifies the following varieties of Traditional Pure Rhyme: Single Pure Rhyme (example: cat / mat) Double Pure Rhyme (example: silly / Billy) Triple Pure Rhyme (example: mystery / history) Eye rhyme (example: love / move) Near rhyme (example: breath / deaf) Wrenched stress rhyme (example: bent / firmament) Wrenched Sense Rhyme
Another example of consonance is the word "sibilance" itself. Consonance is an element of half-rhyme poetic format, sometimes called "slant rhyme". It is common in hip-hop music, as for example in the song Zealots by the Fugees: "Rap rejects my tape deck, ejects projectile/Whether Jew or gentile I rank top percentile."
In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. [1] [2] By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, "ac,ac,ac" denotes a three-line poem ...
Hemistich: a half of a line of verse. Internal rhyme: a rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. Off-centered rhyme: a rhyme that occurs in an unexpected place in a given line. Refrain: repeated lines in a poem. Strophe: the first section of a choral ode
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
"Strange Meeting" (1918) is a poem by Wilfred Owen, a war poet who used pararhyme in his writing.Here is a part of the poem that shows pararhyme: Too fast in thought or death to be bestirred.