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God's Gonna Cut You Down" (also known as "God Almighty's Gonna Cut You Down", "God's Gonna Cut 'Em Down", "Run On" and "Sermon") is a traditional American folk song. [1] The track has been recorded in a variety of genres, including country , folk , alternative rock , electronic and black metal . [ 2 ]
Even in couplets, the closed or heroic couplet was a late development; older is the open couplet, where rhyme and enjambed lines co-exist. [9] Enjambment has a long history in poetry. Homer used the technique, and it is the norm for alliterative verse where rhyme is unknown. [9] In the 32nd Psalm of the Hebrew Bible enjambment is unusually ...
A couplet may be formal (closed) or run-on (open). In a formal (closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (open) couplet, the meaning of the first line continues to the second. [1]
The song was written by lead guitarist Gary Richrath. "Take It on the Run" was the follow-up single behind the group's number-one hit, "Keep On Loving You". The single went gold on April 17, 1989. "Take It on the Run" has appeared on dozens of "various artists" compilation albums, as well as several REO Speedwagon greatest-hits albums. [2]
Whether it’s Nick Cave or Nas, The Libertines or Nirvana, what they all have in common is the ability to make you stop dead in your tracks and feel as if your world has briefly been tipped head ...
Earl Scruggs often ended a song with this phrase or a variation of it. On the television show The Beverly Hillbillies, musical cues signifying the coming of a commercial break (cues which were in bluegrass style) frequently ended with "Shave and a Haircut". It is the second most popular bluegrass run, after the G run. [17]
"Fox on the Run" is a 1975 song by the British glam rock band Sweet, first recorded in 1974. It was the first Sweet single with the A-side written by the band, rather than by producers Nicky Chinn and Mike Chapman, and was their 14th single overall. The song became the best charting single in Australia in 1975, with six weeks at number one. [6]
The song is the first collaboration in songwriting by Jeff Barry, Ellie Greenwich and Phil Spector. The song was composed over two days in Spector's office in New York. The title "Da Doo Ron Ron" was initially just nonsense syllables used as dummy line to separate each stanza and chorus until proper lyrics could be written, but Spector liked it ...