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The Biographia Literaria is a critical autobiography by Samuel Taylor Coleridge, published in 1817 in two volumes.Its working title was 'Autobiographia Literaria'. The formative influences on the work were William Wordsworth's theory of poetry, the Kantian view of imagination as a shaping power (for which Coleridge later coined the neologism "esemplastic"), various post-Kantian writers ...
The cover of Biographia Literaria.. Esemplastic is a qualitative adjective which the English romantic poet Samuel Taylor Coleridge claimed to have invented. Despite its etymology from the Ancient Greek word πλάσσω for "to shape", the term was modeled on Schelling's philosophical term Ineinsbildung – the interweaving of opposites – and implies the process of an object being moulded ...
In Gillman's home, Coleridge finished his major prose work, the Biographia Literaria (mostly drafted in 1815, and finished in 1817), a volume composed of 23 chapters of autobiographical notes and dissertations on various subjects, including some incisive literary theory and criticism. He composed a considerable amount of poetry, of variable ...
The phrase first appeared in English poet and aesthetic philosopher Samuel Taylor Coleridge's Biographia Literaria, where he suggested that if an author could infuse a "human interest and a semblance of truth" into a story with implausible elements, the reader would willingly suspend judgement concerning the implausibility of the narrative. [4]
Coleridge is also especially remembered for Kubla Khan, Frost at Midnight, Dejection: An Ode, Christabel, as well as the major prose work, Biographia Literaria. His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. [22]
Nos. 12-3176, 12-3644 IN THE UNITED STATES COURT OF APPEALS FOR THE SECOND CIRCUIT CHRISTOPHER HEDGES, et al., Plaintiffs-Appellees, v. BARACK OBAMA, individually and as
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In Chapter XIV of the Biographia Literaria, Coleridge synchronizes the Dark Ladié (a poem which he was 'preparing' with the Christabel). [3] It would seem probable that it belongs to the spring or early summer of 1798, and that it was anterior to Love , which was first published in The Morning Post on 21 December 1799, under the heading ...