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The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
"Animal style" deer, (8-7th century BC) Arzhan kurgan, Tuva. Ordos culture, belt buckle, 3rd–1st century BC. Animal style art is an approach to decoration found from Ordos culture to Northern Europe in the early Iron Age, and the barbarian art of the Migration Period, characterized by its emphasis on animal motifs.
The "Animal Style" art of the Scythians was a variant of the art of the Eurasian Steppe nomads, which itself initially developed under the Sakas in the eastern Eurasian steppes of Central Asia and Siberia during the 9th century BC (art of the Arzhan culture, dated to 800 BC), [28] under the partial influence of ancient Chinese art [23] [29] and ...
The style, named after Panaramitee sheep station, located in the Flinders Ranges of South Australia, where they were first identified, depicts a variety of animal tracks, including those of macropods, birds and humans, as well as radiating designs, circles, spots, crescents and spirals.
The Insular style arises from the meeting of their two styles, Celtic and Anglo-Saxon animal style, in a Christian context, and with some awareness of Late Antique style. This was especially so in their application to the book, which was a new type of object for both traditions, as well as to metalwork.
It covers many different styles of art including the polychrome style and the animal style. After Christianization , Migration Period art developed into various schools of Early Medieval art in Western Europe which are normally classified by region, such as Anglo-Saxon art and Carolingian art , before the continent-wide styles of Romanesque art ...
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