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The architecture of Denmark has its origins in the Viking Age, revealed by archaeological finds. It was established in the Middle Ages when first Romanesque, then Gothic churches and cathedrals, were built throughout the country. During this period, brick became the construction material of choice for churches, fortifications and castles, as ...
English Baroque is a term used to refer to modes of English architecture that paralleled Baroque architecture in continental Europe between the Great Fire of London (1666) and roughly 1720, when the flamboyant and dramatic qualities of Baroque art were abandoned in favour of the more chaste, rule-based Neo-classical forms espoused by the proponents of Palladianism.
Norman Foster's 'Gherkin' (2004) rises above the sixteenth century St Andrew Undershaft in the City of London. The architecture of England is the architecture of the historic Kingdom of England up to 1707, and of England since then, but is deemed to include buildings created under English influence or by English architects in other parts of the world, particularly in the English overseas ...
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English Baroque architecture — an English Baroque architectural style that developed in the late 17th and early 18th centuries. See also the preceding Category:Jacobean architecture and the succeeding Category:Georgian architecture
Den Danske Vitruvius is a valuable source of knowledge about the design of many buildings and landscaped gardens in mid-18th century Denmark, many of which no longer exist. Some, like Copenhagen's city gates , have been demolished, while others, such as the first Christiansborg , were destroyed by fire.
Hafnia Hodierna, Eller Udførlig Beskrivelse om den Kongelige Residentz- og Hoved-Stad Kiøbenhavn (English: Hafnia Hodierna, Or Detailed Description of the Royal Residence and Capital City Copenhagen) is an engraved architectural work on Copenhagen, published by the Danish architect Lauritz de Thurah in 1748.
Baroque architecture is a building style of the Baroque era, begun in late 16th-century Italy and spread in Europe. The style took the Roman vocabulary of Renaissance architecture and used it in a new rhetorical and theatrical fashion, often to express the triumph of the Catholic Church and the absolutist state in defiance of the Reformation .