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During the Russian Civil War agitprop took various forms: . Bolshevik Propaganda Train. Use of the press: Bolshevik strategy from the beginning was to gain access to the primary medium of dissemination of information in Russia: the press. [13]
Rosta posters were a highly popularized form of communication used by the Russian government during a short time period between 1919 - 1921. The posters were used to communicate mass messages and propaganda during the Russian Civil War. Once the war came to an end, the Russian government turned to new forms of communication. [1]
[7]: 11 The earliest propaganda posters in Soviet Russia appeared in August 1918 [7]: 11 and focused on the Russian Civil War, with this remaining the primary subject until 1921. [4] Between 1919 and 1921, the Russian Telegraph Agency produced ROSTA windows, posters which featured simplified cartoons and short pieces of text or mottoes. [8]
) is a 1919 lithographic Bolshevik propaganda poster by El Lissitzky. In the poster, the intrusive red wedge symbolizes the Bolsheviks, who are penetrating and defeating their opponents, the White movement, during the Russian Civil War. The image gained popularity in the West upon Lissitzky's migration to Germany in 1921.
An institution during World War II was the propaganda train, fitted with presses and portable cinemas, staffed with lecturers. [20] In the Civil War the Soviets sent out both "agitation trains" (Russian: агитпоезд) and "agitation steamboats " (Russian: агитпароход) to inform, entertain, and propagandize. [21] [22]
When it was created, the structure of the Russian Army of the Provisional Government period was used, while almost every individual formation had its own characteristics. The military art of the White Army was based on the experience of the First World War, which, however, left a strong imprint on the specifics of the Russian Civil War. [6]
Civil war uniforms for armoured units, [l] just as it was during World War 1, were defined by the rich use of black leather. Service caps with larger than normal crowns and squared visors in either leather or olive-khaki cloth were worn however, so were more typical caps of less exaggerated proportions; when not in use, goggles would often be ...
He produced nearly 50 political posters during the Russian Civil War, including some of his most well known satirical work. [3] He became one of the major agitprop poster artists of the Bolshevist period (1917–1921). [3] Deni subsequently focused on producing newspaper cartoons that addressed foreign policy issues. [3]