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The baritone voice is typically written in the range from the second G below middle C to the G above middle C (G 2 –G 4) although it can be extended at either end. However, the baritone voice is determined not only by its vocal range, but also by its timbre, which tends to be darker than that of the typical tenor voice. [1]
L'Officina della Resurrezione, Version II (2014, Katowice) for baritone, spoken chorus, electronics and string orchestra Gothic Songs (2012, Alte Oper Frankfurt) Libro del frío (September 2011, Schwaz, Austria) for soprano, flute, clarinet, violin, viola, violoncello, and piano
Spanish tenor Plácido Domingo has sung 151 roles in Italian, French, German, English, Spanish and Russian. [1] [2] [3] His main repertoire however is Italian (Otello, Cavaradossi in Tosca, Don Carlo, Des Grieux in Manon Lescaut, Dick Johnson in La fanciulla del West, Radames in Aida), French (Faust, Werther, Don José in Carmen, Samson in ...
Operatic baritones are men who sing baritone roles in operas for opera companies in opera houses. Subcategories This category has the following 19 subcategories, out of 19 total.
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unison chorus, two horns, two trumpets, two trombones, and tuba; also a version for unison chorus and orchestra; also a version for unison chorus and piano 1947: La hija de Cólquide, symphonic suite from the ballet: orchestra 1947: Toccata for orchestra (incidental music for a scene in Don Quijote de la Mancha by Cervantes) orchestra ...
When L.A. Opera invited Gustavo Santaolalla to write a new score for the Spanish version of the 1931 film “Dracula” to be performed live with an orchestra, the Oscar-winning composer was ...
The reason given is: This can be expanded from articles listed at Category:Spanish musicians. Please help update this article to reflect recent events or newly available information. ( June 2024 )