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Pendet dancers offering a greeting. The original Pendet dance is performed by 4-5 young pre-pubescent girls in the yards of Balinese Hindu temples. Pendet is the presentation of an offering in the form of a ritual dance. Unlike sacred ritual dances that demand arduous training, Pendet may be danced by anyone, taught simply by imitation.
The Srimpi (Javanese: ꦱꦿꦶꦩ꧀ꦥꦶ, romanized: Srimpi) (also written as Serimpi) is a ritualised dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta. The srimpi dance is one of the classical dances of Central Java.
Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
Gandrung dance performance in Balinese manuscripts. A collection of the University of Leiden, Netherlands. Gandrung derives its name from the Javanese word for "love". [1] It is theorized that the dance originated as a ritual dance to express the people's affection for the rice goddess Dewi Sri, [4] with trance and as a kind of fertility dance. [5]
The cendrawasih dance is often performed outside of Indonesia when promoting Indonesian culture, such as in Peru in 2002, [6] at the Freer Gallery of Art in Washington, D.C., in 2008, [4] Japan in 2008, [7] and the Netherlands in 2008. [8]
The culture of Indonesia (Indonesian: Budaya Indonesia) has been shaped by the interplay of indigenous customs and diverse foreign influences. With over 1,300 distinct ethnic groups , including significant Austronesian and Melanesian cultures, contributing to its rich traditions, languages , and customs, Indonesia is a melting pot of diversity.
The bedhaya (also written as bedoyo, beḍaya and various other transliterations) (Javanese: ꦧꦼꦝꦪ, romanized: Bedhaya) is a sacred, ritualised Javanese dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta.
A dancer completing his spinning movements. (Performed by Nyoman T. Usadhi at Sanata Dharma University, 2014) Generally, the kebyar duduk dance is performed by a single male dancer, though his make-up makes him appear almost androgynous. [8]