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German soldiers had Gott mit uns inscribed on their belt buckles in the First World War. [5] The slogan entered the mindset on both sides; in 1916 a cartoon was printed in the New-York Tribune captioned "Gott Mit Uns!", showing "a German officer in spiked helmet holding a smoking revolver as he stood over the bleeding form of a nurse. It ...
German military personnel killed in World War I (197 P) Pages in category "German military personnel of World War I" The following 117 pages are in this category, out of 117 total.
Old Bill says to the men around him "Mice!" What the Germans thought of this cartoon was revealed in a British newspaper clipping from World War II. Quoting a Nazi textbook taken from a German prisoner of war that shows the cartoon, the clipping reads: "Obviously, the hole was not made by a mouse. It was made by a shell.
1924 right-wing German political cartoon showing Philipp Scheidemann, the German Social Democratic politician who proclaimed the Weimar Republic and was its second chancellor, and Matthias Erzberger, an anti-war politician from the Centre Party, who ended World War I by signing the armistice with the Allied Powers, as stabbing the German Army ...
A depiction of Kilroy on a piece of the Berlin Wall in the Newseum in Washington, D.C.. The phrase may have originated through United States servicemen who would draw the picture and the text "Kilroy was here" on the walls and other places where they were stationed, encamped, or visited.
Kaiser (to 1917 Recruit). "And don't forget that your Kaiser will find a use for you—alive or dead." Punch, 25 April 1917. The German Corpse Factory or Kadaververwertungsanstalt (literally "Carcass-Utilization Factory"), also sometimes called the "German Corpse-Rendering Works" or "Tallow Factory" [1] was one of the most notorious anti-German atrocity propaganda stories circulated in World ...
Fit for Active Service (also known as The Faith Healers) is a drawing by 20th-century German artist George Grosz, created between 1916 and 1917. It is considered a seminal part of the post-World War I movement, Neue Sachlichkeit, or New Objectivity. The medium is pen, brush, and ink on paper.
The source of the collective fantasy of the People's War and of the harsh reprisals with which the German army (up to its highest level) responded are to be found in the memory of the Franco-Prussian War of 1870–1, when the German armies faced irregular Republican soldiers (or francs-tireurs), and in the way in which the spectre of civilian ...