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The song, like "Lay It on the Line" from the same album, was written two years before the release of the album. After failing to be noticed as an acoustic track in concert the band decided to make it a rock song and placed it at the end of the concept song, The Twisted Maze which compasses the entire second side of the vinyl.
A part notated with figured bass consists of a bass line notated with notes on a musical staff plus added numbers and accidentals (or in some cases (back)slashes added to a number) beneath the staff to indicate what intervals above the bass notes should be played, and therefore which inversions of which chords are to be played.
The song relies on an ascending guitar riff by Bernard Sumner played against a descending bass riff by Peter Hook. The song uses the same progression throughout, but grows in intensity as the song progresses, reaching its peak with Ian Curtis singing "Me, seeing me this time, hoping for something else", and ending with a guitar solo.
Maximum Guitar author Andy Aledort pointed out that the guitar chord progression of G-D/F#-Em7-D that follows the line "I see my Marianne walking away" also comes from "Walk Away Renee." [7] Aledort also explains that the guitar solo is unusual in that it incorporates mordents and inverted mordents, which are more typically used in baroque ...
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Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs.Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues.
Jeff Porcaro, the band's drummer, gave a definition for the song: "Hold the Line" was a perfect example of what people will describe as your heavy metal chord guitar licks, your great triplet A-notes on the piano, your 'Sly'-hot-fun-in-the-summertime groove, all mishmashed together with a boy from New Orleans singing... and it really crossed over a lot of lines."
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