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The Church of England experienced a long controversy over the proper use of vestments. [7] In the 20th and 21st century, usual vestments for the Anglican church have included either cassock (a derivative of the tunic) and surplice, with scarf (tippet) or stole, or else the alb (with or without a cincture) and stole, often with a chasuble.
Heavenly Bodies: Fashion and the Catholic Imagination at The Metropolitan Museum of Art. Andrew Bolton, the Curator in Charge of The Costume Institute since 2015, spoke of the intention behind the exhibition: "Throughout the history of the Catholic Church, dress has affirmed religious allegiances, asserted religious differences, and functioned to distinguish hierarchies as well as gender.
Pilgrims Going to Church by George Henry Boughton (1867) Puritans advocated a conservative form of fashionable attire, characterized by sadd colors and modest cuts. Gowns with low necklines were filled in with high-necked smocks and wide collars. Married women covered their hair with a linen cap, over which they might wear a tall black hat.
Women's hemlines are to be modestly below the knees. Our people are forbidden to appear in public with transparent or immodest apparel, including shorts or bathing suits. Parents are required to dress their children modestly in conformity with our general principles of Christian attire.
The magazine Southern Living published an article in the 2010s stating that "Church hats remain an essential part of many women’s Sunday best and church outfits across the South". [1] A 2014 piece by Samuel G. Freedman in The New York Times described a "generational divide" regarding church crowns within the contemporary black church.
1860s Fashion Plates of men, women, and children's fashion from The Metropolitan Museum of Art Libraries; 1850s and 1860s Fashion; 1860s Men's Fashions — c. 1860 Men's Fashion Photos with Annotations; Fashonik Updos for long hair Archived 2016-05-20 at the Wayback Machine; 1864 Wedding Dress — Metropolitan Museum of Art Costume Institute
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