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Louis Armstrong: An Extravagant Life. ISBN 0553067680; Cogswell, Michael (2003). Armstrong: The Offstage Story. ISBN 1888054816; Elie, Lolis Eric. A Letter from New Orleans. Originally printed in Gourmet. Reprinted in Best Food Writing 2006, ed. by Holly Hughes, Da Capo Press, 2006. ISBN 1569242879; Teachout, Terry (2009). Pops – A life of ...
"High Society Calypso" is a song written by Cole Porter for the 1956 American movie High Society. [1] It was performed by Louis Armstrong and his band of Edmond Hall on the clarinet, Trummy Young on the trombone, Billy Kyle on the piano, Arvell Shaw playing the bass and Barrett Deems as the drummer.
By far the best known recording of "West End Blues" is the 3-minute-plus, 78 rpm recording made by Louis Armstrong and His Hot Five on June 28, 1928. Gunther Schuller devoted page after page to it in his book Early Jazz, writing, “The clarion call of “West End Blues’ served notice that jazz had the potential capacity to compete with the highest order of previously known musical ...
Louis Armstrong recorded an influential ballad rendition in 1931. The song is arguably the most recorded popular song, and one of the top jazz standards. Billboard magazine conducted a poll of leading disk jockeys in 1955 on the "popular song record of all time"; four different renditions of "Stardust" made it to the list, including Glenn ...
Hot Fives & Sevens is a 2000 box set collection of recordings made by American jazz trumpeter and singer Louis Armstrong with his Hot Five, Hot Seven, and other groups between 1925 and 1930. First released on JSP Records on 22 August 2000, the set was subsequently reissued on Definitive in 2001.
Armstrong in 1947. Louis Armstrong (1901–1971), nicknamed Satchmo [1] or Pops, was an American trumpeter, composer, singer and occasional actor who was one of the most influential figures in jazz and in all of American popular music.
During Armstrong's tenure in the Fletcher Henderson Orchestra, the song was recorded on May 29, 1925 in a new arrangement by Don Redman under the title Sugarfoot Stomp. [6] Redman selected this tune out of a book of manuscripts shown to Redman by Armstrong; in the arrangement, Armstrong paraphrases Oliver's solo without the plunger effects. [7]
In his book Jazz, the critic ... Louis Armstrong's All-Stars was the band ... The sound of several horns all improvising together on fairly simple chord changes with ...
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