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Vivir (English: Live) is the second Spanish studio album recorded by Spanish singer-songwriter Enrique Iglesias. It was released by Fonovisa on 21 January 1997 (see 1997 in music ). The album includes three number-one singles on the Billboard Hot Latin Tracks charts in United States: " Enamorado Por Primera Vez ", " Sólo En Ti " and " Miente ".
In 2000, Puerto Rican salsa musician Charlie Cruz covered Si no te hubieras ido on his album, Así Soy.The song was the second single released from the album and did not fare on the charts, only peaking #40 on the Hot Latin Tracks.
As of 2024, 346 Latin songs have entered the Hot 100 chart, 1 in the 1950s, 1 in the 1960s, 2 in the 1970s, 1 in the 1980s, 5 in the 1990s, 36 in the 2000s, 80 in the 2010s and 220 in the 2020s. A total of 22 singles managed to reach the top 10 and 4 have peaked at number 1. Only 5 Latin songs reached the top 10 between 1958 and 2016.
"A Medio Vivir" (English: "Half Living") is the title track and the third single from Ricky Martin's album, A Medio Vivir (1995). It was released as a single in the United States on February 13, 1996, and in May 1997 in Spain. The song reached number thirty-six on the Hot Latin Songs in the United States.
A Medio Vivir was released at first in Latin America in 1995. It peaked at number eleven on the Top Latin Albums in the US. Five songs from this album charted on the Hot Latin Songs , including " María " and " Volverás ", which both peaked at number six, " Te Extraño, Te Olvido, Te Amo " which reached number nine, " Nada es Imposible ...
The song served as the theme [4] for the telenovela Corazones al límite [5] (in which she would also act for a short time), [4] and quickly gained airplay in the charts. The acoustic version was included on the CD soundtrack from Corazones al límite.
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"Para Vigo me voy", known in English as "Say Si Si", is a popular song written in 1935 by Cuban composer Ernesto Lecuona with lyrics by Francia Luban (original Spanish version) and Al Stillman (translated English version). Early bands to record the song include Xavier Cugat's orchestra (1935) and Lecuona Cuban Boys (1937).