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The story depicts decadent royalty of Central North India. It is set around the life of the last independently ruling Nawab (noble) Wajid Ali Shah and concludes with the British annexation of the Nawab's kingdom of Awadh in 1856. The two main characters are the aristocrats Mirza Sajjad Ali and Mir Raushan Ali who are deeply immersed into ...
The short story was adapted to short film by the same name directed by Rohan Sonawane. [7] Lihaaf: The Quilt is a 2019 Indian Hindi-language period drama film based on the story; directed by Rahat Kazmi, starring Anushka Sen, Tannishtha Chatterjee, Mir Sarwar, Sonal Sehgal, Shoib Nikash Shah, Namita Lal and Virendra Saxena. [8] The film Dedh ...
Ek Anek Aur Ekta or "One, Many, and Unity" (also known as Ek Chidiya, Anek Chidiyan after the title song) is a traditionally animated short educational film released by the Films Division of India (Government of India). [1]
Dhuan (Smoke), from which the collection takes its title, was first published in the Urdu magazine Saqi. The story deals with the awakening of sexual urges in a twelve-year old boy, Masud. [6] In Cuhe daan (Mousetrap), Manto depicts the early discovery of romantic love by teenagers. [6]
This was the Manto’s second collection of original short stories. His first publication was titled Atish Paray. [2] Included in this second collection are new stories and also some reprints of stories such as Tamasha (Spectacle), Taqat ka imtahan (Trial of power) and Inqilabi (Revolutionary). The reprints are necessary as these stories were ...
As the story unfolds, Vikram realises that he lacks the funds to purchase a ticket, and approaches the teacher with the suggestion that they pool their funds and buy a ticket together. The teacher and Vikram each raise five rupees to buy the ticket, agreeing to divide the winnings, much to the dismay of Vikram's family who is suspicious of the ...
Download as PDF; Printable version; ... Pages in category "Urdu-language Indian films" The following 113 pages are in this category, out of 113 total. ... (1964 Hindi ...
Newlines Magazine's Anmol Irfan acknowledged the original nature of the film in Urdu animation, but focused more on what it meant for Pakistani media "as an artform" and suggested that a main reason for the success and popularity of the film is due to how it is "sparking conversations about the nature of present-day society" in the country. [10]