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Wau bulan on display in Pasir Gudang Kite Museum, Johor. Wau bulan (Kelantanese: Wa bule; Jawi: واو بولن ; lit. 'moon kite') is an intricately designed Malaysian kite (normally with floral motifs) that is traditionally flown in the Malaysian state of Kelantan.
The Kelantanese Malays are closely related to Thai Malays (especially those in Pattani, Narathiwat, Yala, and some parts in Songkhla and Phatthalung provinces) and Terengganuan Malays in neighbouring Terengganu, these two Malay sub-ethnic groups shared historical, cultural and linguistic as well as kinship ties with the Kelantanese Malays.
The Burung Petala Indra of 1933 was the last of its kind staged in Kelantan. Following the consultation from the local Kelantanese ulema, it was firmly advised that the element of deviation from the Islamic teaching was present in the parade. [7] Hence, following the verdict, all of the birds were destroyed by the authorities.
The culture of Kelantan has been influenced by Thai culture due to its location on the Thai border. [33] Among the popular cultural practices are Dikir Barat , Wayang Kulit Kelantan , Wayang Kulit Melayu , Mak Yong , Menora , Main Puteri, Wau Bulan (kite-flying), Gasing (top-spinning), Silat , Tomoi , bird-singing competition and handicrafts.
Dikir Barat Singapura is a Malay choral performance art that has gained widespread recognition in Singapore, particularly within the Malay community.While Dikir Barat originated in the northeastern Malay Peninsula, specifically in Patani, Kelantan and Terengganu under the influence of the Patani Kingdom, Singapore’s historical trajectory differs significantly. [1]
A Kelantanese Wayang Kulit that narrated the tale of Hikayat Seri Rama. Malaysian folklore is the folk culture of Malaysia and other indigenous people of the Malay Archipelago as expressed in its oral traditions, written manuscripts and local wisdoms. Malaysian folklores were traditionally transmitted orally in the absence of writing systems.
Mak yong (Jawi: مق يوڠ ; Thai: มะโย่ง, RTGS: ma yong) is a traditional form of dance-drama from northern Malaysia, particularly the state of Kelantan. ...
Throughout their history, the Malays have been known as a coastal-trading community with fluid cultural characteristics. [18] [19] They absorbed, shared and transmitted numerous cultural features of other local ethnic groups, such as those of Minang and Acehnese.