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Regine Velasquez is considered as the best-selling artist of all time in the Philippines with 7 million certified albums locally and 1.5 million certified albums in Asia. [7] [8] [9] Other artists such as Eraserheads and Rivermaya have three albums on the list, while Gary Valenciano, Jaya, Jolina Magdangal, MYMP, Smokey Mountain and Westlife ...
Side A's second album, The White Album, also their debut release under Vicor Music, earned double and triple platinum status for its sales. [citation needed] One of the biggest hits included on the album is "Hold On", featuring new lead vocalist Joey Generoso born in 1962 and new drummer Ernie Severino completing and forming the band's long-running line-up.
Filipino pop songs mainly referred to songs popularized since the 1960s, usually sentimental ballads and movie themes.Major 1960s Filipino pop acts include Pilita Corrales and Nora Aunor. 1960s-styled ballads maintained their popularity into the 1970s, led by female balladeers dubbed "jukebox queens" such as Claire dela Fuente, Imelda Papin and Eva Eugenio, and male artists such as Anthony ...
It was also used as the theme song for the TV series Guns and Roses, in a recording by Jovit Baldivino. [11] A notable cover version sung in the drama Be My Lady on ABS-CBN performed by the fictional Crisostomo family portrayed by Erich Gonzales , Al Tantay , Janice de Belen , Yves Flores , RK Bagatsing and Nonoy Frolian.
The 1980s produced chart-topping hits in pop, hip-hop, rock, and R&B. Here's a list of the best songs from the time, ranging from Toto to Michael Jackson.
In addition to her music career, Velasquez has starred in films and recorded songs for her soundtrack albums. She further collaborated with Louie Ocampo on the songs "I Can" from Do Re Mi , [ 24 ] and "You Are My Song" from Wanted Perfect Mother , [ 25 ] while Ogie Alcasid wrote and produced several singles, including " Kailangan Ko'y Ikaw ...
Manila sound (Filipino: Tunog ng Maynila) is a music genre in the Philippines that began in the mid-1970s [1] in Metro Manila.The genre flourished and peaked in the mid to late-1970s during the Philippine martial law era and has influenced most of the modern genres in the country by being the forerunner to OPM.
The lyrics were written in Filipino that tackles about a romantic love but given a modern twist. In the song, the word "Kundiman" was described in two different meanings—"Kundiman", as a genre of traditional Filipino love songs and "Kundiman", as a contraction of the Tagalog phrase "kung hindi man" (transl. if it is not so). [4]