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An obvious English translation of cliché verre is "glass print", but this is usually avoided because the term has another meaning. This is a print that has been glued face down onto glass, the paper then being carefully rubbed off to leave the ink film adhering to the glass. This is then hand-coloured and framed as a decorative piece.
Optical bonding is the use of an optical-grade adhesive to glue a glass to the top surface of a display. The main goal of optical bonding is to improve the display performance under outdoor environments. This method eliminates the air gap between the cover glass and the display. [2]
Printing on glass with UV pinning and curable inks came about almost 60 years later. In this method of printing, ultraviolet waves are applied on the inks, drying them to the glass. This method was the first to enable the digital printing on glass of any digital image including multi color and complex images.
The conservation and restoration of photographs is the study of the physical care and treatment of photographic materials. It covers both efforts undertaken by photograph conservators, librarians, archivists, and museum curators who manage photograph collections at a variety of cultural heritage institutions, as well as steps taken to preserve collections of personal and family photographs.
The glass shards are reassembled by direct application, which involves applying the adhesive directly to the shard interface and attaching it to its corresponding piece or assembling through wicking. Vertical assembly – This method is used because the glass shards fit back together most accurately vertically.
Glass thicknesses typically range from 1.8 to 2.5 millimetres (0.071 to 0.098 in). Clear glass has light transmission of approximately 90%, absorption of approximately 2%, and reflection of approximately 8%. Whereas absorption can be reduced by using low-iron glass, reflection can only be reduced by an anti-reflective surface treatment.
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