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Felix Mendelssohn's "Wedding March" in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches , generally being played on a church pipe organ .
Music can be used to announce the arrival of the participants of the wedding (such as a bride's processional), and in many western cultures, this takes the form of a wedding march. For more than a century, the Bridal Chorus from Wagner's Lohengrin (1850), often called "Here Comes The Bride", has been the most popular processional, and is ...
The "Bridal Chorus" (German: "Treulich geführt") from the 1850 opera Lohengrin by German composer Richard Wagner, who also wrote the libretto, is a march played for the bride's entrance at many formal weddings throughout the Western world.
The misattribution emanated from an arrangement for organ published in the 1870s by William Spark (the town organist of Leeds, England). It was later arranged for several different ensembles by Sir Henry Wood. [2] The oldest source is A Choice Collection of Ayres, [3] a collection of keyboard pieces published in 1700.
It lasts around six minutes. Its fame in part comes from its frequent use as recessional music at festive Christmas and wedding ceremonies. [1] The melody of Widor's Toccata is based upon an arrangement of rapid staccato arpeggios which form phrases, initially in F, moving in fifths through to C major, G major, etc. Each phrase consists of one bar.
Charles-Marie-Jean-Albert Widor (21 February 1844 – 12 March 1937) was a French organist, composer and teacher of the late Romantic era. [1] As a composer he is known for his ten organ symphonies, [2] [3] especially the toccata of his fifth organ symphony, which is frequently played as recessional music at weddings and other celebrations.
These qualities are evident in the organ sonatas, which were commissioned as a "set of voluntaries" by the English publishers Coventry and Hollier in 1844 (who also commissioned at the same time an edition by him of the organ chorales of J. S. Bach), [4] and were published in 1845. Correspondence between Mendelssohn and Coventry relating to the ...
Other arrangements include one for solo piano by Walton (1937), and one for piano duet (1949) by Murrill. There is also a vocal adaptation by Arthur Sandford with words by Doris Arnold "That we may never fail" (1948), commissioned by the BBC for a gala variety concert in honour of the silver wedding of George VI and his wife .
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