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Concert: The Cure Live is the first live album by English rock band the Cure. It was recorded in 1984 at the Hammersmith Odeon in London and in Oxford during The Top tour. The cassette tape edition featured, on the B-side , a twin album of anomalies, titled Curiosity (Killing the Cat): Cure Anomalies 1977–1984 .
The band also made a spectacular full live return with an intimate show at London’s Troxy venue on November 1, which featured a full rendition of the new album as well as many other songs.
Cure frontman Robert Smith wrote the song in memory of his friend Billy Mackenzie, the lead singer of the new wave band Associates, who committed suicide in 1997. [2] The title of the song does not relate directly to the lyrical content; it is an anagram of "The Cure".
Show is a live album released in 1993 by the British alternative rock band the Cure. It was recorded live over two nights at The Palace of Auburn Hills, Auburn Hills, Michigan (a suburb of Detroit) in 1992, during the successful Wish tour. Show was also released as a concert video. This live album was released along with Paris, which was ...
The second song on the album, the 11-minute epic “Watching Me Fall,” is the longest studio track in the Cure discography, but most of what follows feels minor and anticlimactic by comparison.
If I told you 40 years ago, when the Cure was in the midst of its new-wave wonder moment, that the band would craft an inventively elegiac epic like “Songs for a Lost World” — a singular ...
"10:15 Saturday Night" is a song by British post-punk band the Cure. It was the B-side to their December 1978 single "Killing an Arab" as well as the opening track of their debut album Three Imaginary Boys. It was also released in France as a single, with the track "Accuracy" as the B-side.
"Killing an Arab" is the debut single by English rock band the Cure. It was recorded at the same time as their first album Three Imaginary Boys (1979), but not included on the album. However, it was included on the band's first US album, Boys Don't Cry (1980). [2] The song's title and lyrics reference Albert Camus's 1942 novella The Stranger.