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C ♯ (C-sharp) is a musical note lying a chromatic semitone above C and a diatonic semitone below D; it is the second semitone of the solfège. C-sharp is thus enharmonic to D ♭. It is the second semitone in the French solfège and is known there as do dièse. In some European notations, it is known as Cis.
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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Thus, A 0 refers to the first A above C 0 and middle C (the one-line octave's C or simply c′) is denoted as C 4 in SPN. For example, C 4 is one note above B 3, and A 5 is one note above G 5. The octave number is tied to the alphabetic character used to describe the pitch, with the division between note letters ‘B’ and ‘C’, thus:
Enharmonic scale [segment] on C. [1] [2] Play ⓘ [2] Note that in this depiction C ♯ and D ♭ are distinct rather than equivalent as in modern notation. Enharmonic scale on C. [ 3 ] In music theory, an enharmonic scale is a very ancient Greek musical scale which contains four notes tuned to approximately quarter tone pitches, bracketed (as ...
Most composers prefer to use the enharmonic equivalent D-flat major since it contains five flats as opposed to C-sharp major's seven sharps. However, Johann Sebastian Bach chose C-sharp major for Prelude and Fugue No. 3 in both books of The Well-Tempered Clavier.
Its relative major is E major.Its parallel major, C-sharp major, is usually written instead as the enharmonic key of D-flat major, since C-sharp major’s key signature with seven sharps is not normally used.
C 4 (approximately 261.626 Hz [3]) may be called Low C by someone playing a Western concert flute, which has a higher and narrower playing range than the piano, while C 5 (523.251 Hz) would be middle C. This practice has led some to encourage standardizing on C 4 as the definitive middle C in instructional materials across all instruments. [4]