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Movable National Cultural treasures- movable objects with historical, anthropological, archaeological value and/ or associated with national history Immovable National Cultural treasures- structures that shall not be relocated, rebuilt, defaced or otherwise changed in a manner, which would destroy the property's dignity and authenticity, except ...
The Philippine Registry of Cultural Property, abbreviated as PRECUP (Filipino: Patalaan ng mga Ari-ariang Kultural ng Pilipinas), is a national registry of the Philippine Government used to consolidate in one record all cultural property that are deemed important to the cultural heritage, tangible and intangible, of the Philippines. [1]
This list of historical markers installed by the National Historical Commission of the Philippines (NHCP) in Metro Manila is an annotated list of people, places, or events in the region that have been commemorated by cast-iron plaques issued by the said commission. The plaques themselves are permanent signs installed in publicly visible ...
The First Congress of the Republic of the Philippines 1946 ~ 1949 – The marker concerning the first congress is the biggest marker made, measuring at 52x72 inches. The 1946 marker was replaced on January 27, 2010, when governor Carlos Padilla of Nueva Vizcaya asked why his father, Constancio Padilla was missing from the list of the legislators.
Heritage management in the Philippines is guided by laws and agencies that create regulations for potentially destructive behaviors such as excavations and demolition. Legislation pertaining to heritage management consists of Republic Acts and Presidential Decrees.
The Philippines is a member of the committee on intangible cultural heritage since 2016, and will end its term in 2019. In 2017, the Ambassador of the Philippines to France and UNESCO urged the Philippine government to nominate the Metal and wood craftsmanship of the Maranao of Lanao in the list in need for urgent safeguarding for 2018.
The bronze hand before archaeologists excavated the object. Peeling back layers of dirt, the restoration revealed an inscription written in an alphabet practically unknown to historians, experts said.
The conservation and restoration of outdoor bronze artworks is an activity dedicated to the preservation, protection, and maintenance of bronze objects and artworks that are on view outside. When applied to cultural heritage this activity is generally undertaken by a conservator-restorer .