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Movable National Cultural treasures- movable objects with historical, anthropological, archaeological value and/ or associated with national history Immovable National Cultural treasures- structures that shall not be relocated, rebuilt, defaced or otherwise changed in a manner, which would destroy the property's dignity and authenticity, except ...
The Philippine Registry of Cultural Property, abbreviated as PRECUP (Filipino: Patalaan ng mga Ari-ariang Kultural ng Pilipinas), is a national registry of the Philippine Government used to consolidate in one record all cultural property that are deemed important to the cultural heritage, tangible and intangible, of the Philippines. [1]
This list of historical markers installed by the National Historical Commission of the Philippines (NHCP) in Metro Manila is an annotated list of people, places, or events in the region that have been commemorated by cast-iron plaques issued by the said commission. The plaques themselves are permanent signs installed in publicly visible ...
Water causes damage and results from natural occurrences, technological hazards, or mechanical failures. Many cases of water damage can be traced to accidents or neglect. "A great many of the materials that museum objects are made of are highly susceptible to contact with water and can be severely damaged by even brief contact, while others may be exposed to water for longer periods without harm.
Heritage management in the Philippines is guided by laws and agencies that create regulations for potentially destructive behaviors such as excavations and demolition. Legislation pertaining to heritage management consists of Republic Acts and Presidential Decrees.
The Banaue Rice Terraces is an example of a nationally recognized cultural property. Current logo for the Philippine Registry of Cultural Property. These lists contain an overview of the government recognized cultural properties in the Philippines.
A principal aim of a cultural conservator is to reduce the rate of deterioration of an object. Both non-interventive and interventive methodologies may be employed in pursuit of this goal. Interventive conservation refers to any direct interaction between the conservator and the material fabric of the object.
The conservation and restoration of outdoor bronze artworks is an activity dedicated to the preservation, protection, and maintenance of bronze objects and artworks that are on view outside. When applied to cultural heritage this activity is generally undertaken by a conservator-restorer .