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In phonetics, a triphthong (UK: / ˈ t r ɪ f θ ɒ ŋ, ˈ t r ɪ p θ ɒ ŋ / TRIF-thong, TRIP-thong, US: /-θ ɔː ŋ /-thawng) (from Greek τρίφθογγος triphthongos, lit. ' with three sounds ' or ' with three tones ') is a monosyllabic vowel combination involving a quick but smooth movement of the articulator from one vowel quality to another that passes over a third.
Stress is a prominent feature of the English language, both at the level of the word (lexical stress) and at the level of the phrase or sentence (prosodic stress).Absence of stress on a syllable, or on a word in some cases, is frequently associated in English with vowel reduction – many such syllables are pronounced with a centralized vowel or with certain other vowels that are described as ...
Cardinal vowel chart showing peripheral (white) and central (blue) vowel space, based on the chart in Collins & Mees (2003:227). Phonetic reduction most often involves a mid-centralization of the vowel, that is, a reduction in the amount of movement of the tongue in pronouncing the vowel, as with the characteristic change of many unstressed vowels at the ends of English words to something ...
In the approach used by the Longman Pronunciation Dictionary, Wells [81] claims that consonants syllabify with the preceding rather than following vowel when the preceding vowel is the nucleus of a more salient syllable, with stressed syllables being the most salient, reduced syllables the least, and full unstressed vowels ("secondary stress ...
However, the addition of the -ím causes syncope and the second-last syllable vowel i is lost so imirim becomes imrím. Hebrew: כָּתַב, katav (katav), (he) wrote, becomes כָּתְבוּ, katvu (katvu), (they) wrote, when the third-person plural ending ־וּ (-u) is added. Nouns: Irish: inis (island) should become * inise in the ...
Synizesis (/ ˌ s ɪ n ə ˈ z iː s ɪ s /) is a sound change in which two originally syllabic vowels are pronounced instead as a single syllable. [1] In poetry, the vowel contraction would often be necessitated by the metrical requirements of the poetic form. [2]
Thus long ē (eta: η) can be understood as a sequence of two short vowels: ee. [5] Ancient Greek pitch accent is placed on only one mora in a word. An acute (έ, ή) represents high pitch on the only mora of a short vowel or the last mora of a long vowel (é, eé). A circumflex (ῆ) represents high pitch on the first mora of a long vowel (ée).
Most commonly, the change is a result of sound assimilation with an adjacent sound of opposite voicing, but it can also occur word-finally or in contact with a specific vowel. For example, the English suffix -s is pronounced [s] when it follows a voiceless phoneme ( cats ), and [z] when it follows a voiced phoneme ( dogs ). [ 1 ]
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