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The painting is a small artwork, probably intended for private devotion, which depicts the head of Christ crowned with thorns, in half profile turning his head towards the viewer. [4] Through the use of the alternate use of light and shade; the chiaroscuro technique is used by the artist to highlight the line of the nose, cheekbones and the neck.
The three Biblical gospels that mention the crown of thorns do not say what happened to it after the crucifixion. The oldest known mention of the crown already being venerated as a relic was made by Paulinus of Nola, writing after 409, [8] who refers to the crown as a relic that was adored by the faithful (Epistle Macarius in Migne, Patrologia Latina, LXI, 407).
Articles relating to the crown of thorns and its depictions. It was the crown placed on the head of Jesus during the events leading up to his crucifixion.It was one of the instruments of the Passion, employed by Jesus' captors both to cause him pain and to mock his claim of authority.
The Crowning with Thorns is a painting by the Italian painter Michelangelo Merisi da Caravaggio. Made probably in 1602/1604 or possibly around 1607, it is now located in the Kunsthistorisches Museum, Vienna. It was bought in Rome by the Imperial ambassador, Baron Ludwig von Lebzelter in 1809, but did not arrive in Vienna until 1816. [1] [2]
The first feast in honour of the Crown of Thorns (Festum susceptionis coronae Domini) was instituted at Paris in 1239, when Louis IX of France brought there the relic of the Crown of Thorns, which was deposited later in the Royal Chapel, erected in 1241–48 to guard this and other relics of the Passion. The feast, observed on 11 August, though ...
The Crowning with Thorns refers to the Crown of Thorns being placed on the head of Jesus, and is a common subject in art, examples including: The Crowning with Thorns (Titian, Paris) painted in 1542/1543 by Titian; The Crowning with Thorns (Titian, Munich) painted in 1576 by Titian
The soldier to the right, with oak leaves in his hat and a spiked collar, is grasping Christ's shoulder, while the other soldier to the left, dressed in green with a broad-headed hunting crossbow bolt through his headdress, holds the crown of thorns in a mailed hand, about to thrust it onto Christ's head. The position of the crown of thorns ...
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