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ad pondus omnium (ad pond om) to the weight of all things: i.e., "considering everything's weight". The abbreviation was historically used by physicians and others to signify that the last prescribed ingredient is to weigh as much as all of the previously mentioned ones. ad quod damnum: to whatever damage
ad pondus omnium (ad pond om) to the weight of all things: i.e., "considering everything's weight". The abbreviation was historically used by physicians and others to signify that the last prescribed ingredient is to weigh as much as all of the previously mentioned ones. ad quod damnum: to whatever damage
These often include extra-liturgical poems of a pacifist or non-liturgical nature; for example, the War Requiem of Benjamin Britten juxtaposes the Latin text with the poetry of Wilfred Owen, Krzysztof Penderecki's Polish Requiem includes a traditional Polish hymn within the sequence, and Robert Steadman's Mass in Black intersperses ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Tropes were a particular feature of the music and texts of the Sarum Use (the use of Salisbury, the standard liturgical use of England until the Reformation), although they occurred widely in the Latin church. Deus creator omnium, was widely used in the Sarum Use and is in the form of a troped Kyrie: [citation needed]
wine and music gladden the heart: Asterix and Caesar's Gift; it is a variation of "vinum bonum laetificat cor hominis". vinum regum, rex vinorum: the wine of kings, the king of wines: The phrase describes Hungarian Tokaji wine, and is attributed to King Louis XIV of France. viperam sub ala nutricare: a viper nursed at the bosom
The Ambrosian hymns are a collection of early hymns of the Latin liturgical rites, whose core of four hymns were by Ambrose of Milan in the 4th century.. The hymns of this core were enriched with another eleven to form the Old Hymnal, which spread from the Ambrosian Rite of Milan throughout Lombard Italy, Visigothic Spain, Anglo-Saxon England and the Frankish Empire during the early medieval ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...