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Recorded in 1968, "D-I-V-O-R-C-E" is a woman's perspective on the impending collapse of her marriage. The song's title is an old parenting trick of spelling out words mothers and fathers hope their young children will not understand, they (the children) being not yet able to spell or comprehend the word's meaning.
"D.I.V.O.R.C.E." has a similar theme to Wynette's original in that the events in the song lead to a couple divorcing, however in the parody, the words are spelled out to withhold the truth from a dog rather than a child as in Wynette's version, and the divorce is sparked by a riotous visit to a veterinarian [6] that results in the husband being ...
"My Play" is composed in 4 4 time signature in the key of C-sharp minor and follows a tempo of 79 beats per minute (bpm).. The instrumental composition heavily layers detuned sped-up female vocals, an 808 MPC/drum kit hybrid, several guitars, and violins to create a "big, cluttered, panicky headache".
In the song, she calls back to “Piece By Piece” again — and this time she’s even more on the nose. “By the way, piece by piece / I found out my hero’s me,” the bridge reads. ‘My ...
Kelly Clarkson’s Post-Divorce ‘Chemistry’ Album: Best Lyrics From Each Song. Read article. This isn’t the first time the American Idol alum changed lyrics in reference to her divorce ...
"Wonderful" is a song by American rock band Everclear, released as the first single from their fourth studio album, Songs from an American Movie Vol. One: Learning How to Smile (2000), on May 22, 2000. The song reached number 11 on the US Billboard Hot 100, becoming the band's only top-40 hit on the Hot 100. Outside the United States ...
Per the terms of Clarkson and Blackstock’s divorce settlement, the “Since U Been Gone” songstress agreed to pay her ex-husband a one-time amount of $1.3 million in addition to $46,500 per ...
Audrey actually cut the song for Decca five months before Williams recorded it, and the pair would perform the song as a two-part piece; Hank would narrate while Audrey would sing the little girl's part, what country music historian Colin Escott deems "a rare occasion when her tuneless singing actually worked."