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His style name was 'Sheng Yu' (圣俞). [1] He passed the jinshi exam in 1051 and had a career in the civil service, but was unsuccessful. He was a prolific poet, with around 3000 works extant; he was popularized as a poet by the younger Ouyang Xiu. Most of his works are in the shi form, but they are much freer in content than those of the Tang ...
Xu Kai as Sheng Chumu. Historical prototype: Sheng Chumu (盛楚慕), son of Cheng Yaojin. The eldest son of the Duke Lu, Young Lord Sheng. Once considered Chang’an’s number one playboy. Falling in love with Fu Ruo makes him realise his shortcomings and dedicates his time to make himself a mature man who is worthy of her love. Li Yitong as ...
The four protagonists, from left to right: the Monkey King, Tang Sanzang (on the White Dragon Horse), Zhu Bajie, and Sha Wujing, as depicted on the Long Corridor in the Summer Palace, Beijing The edition published by the Shidetang Hall of Jinling in 1592, considered the earliest printed version of the Journey to the West, features captioned cross-page illustrations depicting various scenes.
Li Chengqian was born in 619, not long after his grandfather Emperor Gaozu established Tang dynasty in 618. He was the first son of Emperor Gaozu's son Li Shimin the Prince of Qin and Li Shimin's wife Princess Zhangsun, and was named Chengqian because he was born at Chengqian Hall (承乾殿).
Collectively, the "2 Immortals He and He", with names meaning "Harmony" and "Union". He: 合 Qin Shubao: 秦叔寶 Tang generals whose image was ordered placed upon gates by the Great Ancestor of the Tang ("Emperor Taizong") Yuchi Gong: 尉遲恭 Sun Bin: 孫臏 Warring-States generals; worshipped in parts of Shaanxi. Pang Juan: 龐涓 Bai Qi ...
Christine Ng as Fu Guan Chek and Fu Guan Yu; Waise Lee as Yu Man Fa Kup; Joel Chan as Yu-man Chi-kap; Savio Tsang as Sek Ji Hin; Yvonne Yung as Zhu Yu Yan; Lau Kong as Lee Yun; Mark Kwok as Lee Kin Sing; Anthony Tang as Lee Yeun Gut; Derek Kwok as Hau Hei Pak / Shadow Assassin; Mary Hon as Fan Ching Wai; Wilson Tsui as Lee Mut; Jimmy Au as Lee ...
Referring to fictions written in the Tang dynasty as chuanqi is established by usage. [3]: 7 In the early 1920s the prominent author and scholar Lu Xun prepared an anthology of Tang and Song chuanqi which was the first modern critical edition of the texts and helped to establish chuanqi as the term by which they are known.
This last translation interprets sheng 聲 in the 4th-century Shenglei to mean the contemporary linguistic term shēngmǔ 聲母 "initial consonant (of a Chinese syllable)"; exemplifying Yong and Peng's practice of assigning a "startlingly anachronistic English title" to some Chinese dictionaries, such as The Ready Guide for the venerable Erya.