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The Tragedy of Othello, the Moor of Venice, often shortened to Othello (/ ɒ ˈ θ ɛ l oʊ /), is a tragedy written by William Shakespeare around 1603. Set in Venice and Cyprus , the play depicts the Moorish military commander Othello as he is manipulated by his ensign , Iago , into suspecting his wife Desdemona of infidelity.
The Willow song is an anonymous Elizabethan or earlier folk song used in the penultimate act of Shakespeare's Othello.The earliest record of the Willow song is in a book of lute music from 1583, while Shakespeare's play was not written until 20 years later in 1604.
The song is a tribute to William Shakespeare as a playwright. It enlists three plays of Shakespeare, and admires the characterisation of three main characters, pointing out the psychological reflectiveness of each. All three plays mentioned are tragedies, and all the characters are title characters (Hamlet, Othello and Richard III).
Music in the plays of William Shakespeare includes both music incidental to the plot, as song and dance, and also additional supplied both by Shakespeare's own company and subsequent performers. [1] This music is distinct from musical settings of Shakespeare's sonnets by later composers.
Desdemona (/ ˌ d ɛ z d ə ˈ m oʊ n ə /) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy.
The Moor's Pavane is a 20-minute ballet based upon the tragedy Othello by William Shakespeare.The ballet was choreographed by José Limón in 1949 to music from Henry Purcell's Abdelazer, The Gordion Knot Untied, and the pavane from Pavane and Chaconne for Strings, arranged by Simon Sadoff. [1]
Iago is one of Shakespeare's most sinister villains, often considered such because of the unique trust that Othello places in him, which he betrays while maintaining his reputation for honesty and dedication. Shakespeare contrasts Iago with Othello's nobility and integrity. With 1,097 lines, Iago has more lines in the play than Othello himself.
Shakespeare, as was customary for other playwrights in his day, used history, other plays, and non-dramatic literature as sources for his plays. Additionally, tragedy was a new and exciting theatrical phenomenon in the late 16th century, rather than an established and self-evident dramatic form; because of this, Shakespeare and his ...