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An individual who takes photographs of graffiti. The term originated in New York when graffiti writers and non-graffiti writers would sit on benches at train stations waiting for the trains to go by to take pictures and admire graffiti. black book [needs copy edit] A graffiti artist's sketchbook, which is also
Throw ups are typically the writer's moniker in large "bubble-letters", with or without a fill. Throw ups without fills are called hollows. [3] Throw ups are sometimes done using only the first two or three letters of the moniker in a throw up to quicken the process, especially if the writer uses a longer name.
Wildstyle is a complicated and intricate form of graffiti, the most complex type of graffiti piece. Due to its complexity, wildstyle can be difficult to read for those unfamiliar with the form and process. [1] [2] It is considered the most difficult graffiti style to master. [3] A semi-wildstyle using the word RASE
Guy Denning (born Bristol) – stencil graffiti, paste-up, painting; Ben Eine – street art, alphabet letters; Inkie (Bristol and London) – graffiti, street art, grap design; Paul Insect (London) – graffiti, stencil graffiti, street art; Alex Martinez (Notting Hill, London) – graffiti, street art; Adam Neate (London) – art on cardboard
Characters are "creatures or personas” that feature in graffiti works. [2] They may be taken from popular culture (especially cartoons and comic books) or created by the writer as a signature character. [3] Chararacters are found in almost all forms of graffiti, including ancient graffiti and the earliest forms of modern graffiti. [4]
Tags are one of the primary forms of modern graffiti, along with throw ups and pieces.The act of writing a tag is known as tagging.Tags are often thought of as the simplest form of graffiti art, prioritising legibility and flow, [1] and are the form that most artists start with. [2]
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The Cool S consists of 14 line segments, forming a stylized, pointed S-shape.It has also been compared to the infinity symbol. [4] The S appears to have depth, where the overlap in the center of the S and the appearance of a potential altitude change at the top and bottom of the S make it look like the S connects back to itself in the same way as the infinity symbol does. [5]