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"Money for Nothing" is a song by British rock band Dire Straits, the second track on their fifth studio album Brothers in Arms (1985). It was released as the album's second single on 28 June 1985 through Vertigo Records.
A DVD of the same name was also released, featuring the music videos of all the songs on the single CD version, in addition to short interviews with Mark Knopfler about each song. The album is named after the band's 1978 hit single of the same name.
Dire Straits were a British rock band formed in London in 1977 by Mark Knopfler (lead vocals, lead guitar), David Knopfler (rhythm guitar, backing vocals), John Illsley (bass guitar, backing vocals) and Pick Withers (drums, percussion). The band was active from 1977 to 1988 and again from 1990 to 1995. [2]
"Walk of Life" is a song by the British rock band Dire Straits, being the third track on their fifth studio album Brothers in Arms (1985). It was released as a single in the US in October 1985 and in the UK in January 1986. The track peaked at number seven in the US charts, becoming their third and last top ten hit.
Classic Rock critic Paul Rees rated "Brothers in Arms" to be Dire Straits' 5th greatest song, citing its "dignified but lasting power" and a "stunning guitar solo." [7] Spin noted the, "political theme with outstanding craftsmanship in the words and music. The singing is quiet but authoritative, and Knopfler's Les paul cuts a dark swath across ...
The saxophone introduction was used in the theme music for the TVB series File of Justice. [1] According to Classic Rock critic Paul Rees, the song was originally done at a faster, jazzier tempo, but Dire Straits' manager Ed Bicknell suggested slowing it down to the "stately bossa nova" that was released. [2]
Recorded from inside a car and later posted on TikTok by Stephen Flynn, the brief clip shows John Metcalfe, 59, singing Dire Straits’ “Sultans of Swing” and playing acoustic guitar on Aug. 20.
The video for the 1985 Dire Straits song "Money for Nothing" made pioneering use of computer animation, and helped make the song an international hit. The song itself was a wry comment on the music-video phenomenon, sung from the point of view of an appliance deliveryman both drawn to and repelled by the outlandish images and personalities that ...