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  2. Word clock - Wikipedia

    en.wikipedia.org/wiki/Word_clock

    In digital audio electronics, a word clock or wordclock (sometimes sample clock, which can have a broader meaning) [further explanation needed] is a clock signal used to synchronise other devices, such as digital audio tape machines and compact disc players, which interconnect via digital audio signals. Word clock is so named because it clocks ...

  3. Tascam Digital Interface - Wikipedia

    en.wikipedia.org/wiki/TASCAM_Digital_Interface

    The signal labelled "word clock" in the TDIF-1 spec is delayed 270 degrees (90 degrees advanced) with respect to the word clock visible from the BNC word clock output. This is because the TDIF-1 spec was derived from the digital audio transmitter of the NEC uPD6381 DSP used in the DA-88.

  4. I²S - Wikipedia

    en.wikipedia.org/wiki/I²S

    The bit clock pulses once for each discrete bit of data on the data lines. The bit clock frequency is the product of the sample rate, the number of bits per channel and the number of channels. So, for example, CD Audio with a sample frequency of 44.1 kHz, with 16 bits of precision and two channels (stereo) has a bit clock frequency of:

  5. Linear timecode - Wikipedia

    en.wikipedia.org/wiki/Linear_timecode

    When synchronizing multiple clock-dependent digital devices together with video, such as digital audio recorders, the devices must be connected to a common word clock signal that is derived from the house black burst signal.

  6. AES3 - Wikipedia

    en.wikipedia.org/wiki/AES3

    AES3 was designed primarily to support stereo PCM encoded audio in either DAT format at 48 kHz or CD format at 44.1 kHz. No attempt was made to use a carrier able to support both rates; instead, AES3 allows the data to be run at any rate, and encoding the clock and the data together using biphase mark code (BMC). Each bit occupies one time slot.

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  9. S/PDIF - Wikipedia

    en.wikipedia.org/wiki/S/PDIF

    Both protocols group 192 samples into an audio block, and transmit one channel status bit per sample, providing one 192-bit channel status word per channel per audio block. For S/PDIF, the 192-bit status word is identical between the two channels and is divided into 12 words of 16 bits each, with the first 16 bits being a control code.