Search results
Results from the WOW.Com Content Network
Walk the Walk for baritone saxophone (or bass clarinet or contrabassoon) and percussion (2005)—–Michael Daugherty Concerto for 22 Instruments (completed 2005)— Alistair Hinton (scored for 22 wind instruments including parts for 1 each soprano, alto, baritone and contrabass saxophones)
The baritone sax is an important part of military bands and is common in musical theater. Horn sections with baritone saxophone were used on many rock-and-roll hits of the 1950s, several Motown hits of the 1960s featured baritone saxophonist Mike Terry, and the instrument continued to be used in horn sections in American rock and pop music. It ...
In 1887 BC obtained a patent for a mechanism to control an extra key on an extended saxophone bell, extending the lower range from B to B ♭. In 1908 BC began exporting instruments to the US. In 1910 BC introduced the Apogee premium model saxophone, which had innovative keywork features that were later adapted by other manufacturers. In 1918 ...
Jazz saxophonists are musicians who play various types of saxophones (alto saxophone, tenor saxophone, baritone saxophone etc.) in jazz and its associated subgenres. The techniques and instrumentation of this type of performance have evolved over the 20th century, influenced by both movements of musicians that became the subgenres and by particularly influential sax players who helped reshape ...
Tenor saxophone, baritone saxophone Musical artist George Barrow (September 25, 1921 – March 20, 2013 [ 1 ] ) was an American jazz saxophonist who played both tenor and baritone.
Andrew Alexander "Mike" Terry (July 18, 1940 – October 30, 2008) was an American saxophonist, songwriter, arranger, producer and musical director. His baritone sax solos feature on the breakthrough hits of Martha and the Vandellas ("Heat Wave", 1963), and The Supremes ("Where Did Our Love Go", 1964). [1]
Gerald Joseph Mulligan (April 6, 1927 – January 20, 1996), also known as Jeru, [6] was an American jazz saxophonist, clarinetist, composer and arranger. [7] Though primarily known as one of the leading jazz baritone saxophonists—playing the instrument with a light and airy tone in the era of cool jazz—Mulligan was also a significant arranger working with Claude Thornhill, Miles Davis ...
Sonny Stitt (born Edward Hammond Boatner Jr.; February 2, 1924 – July 22, 1982) was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums.