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An arrangement of the Preludio for jazz trio by Jacques Loussier appeared on his Reflections of Bach album of 1987 [6] and was used as the theme of the BBC Radio 4 music quiz show Counterpoint. [7] Eugéne Ysaÿe's Violin Sonata No. 2 in A Minor also quotes the Preludio in the first movement.
The surviving autograph manuscript of the sonatas and partitas was made by Bach in 1720 in Köthen, where he was Kapellmeister.As Christoph Wolff comments, the paucity of sources for instrumental compositions prior to Bach's period in Leipzig makes it difficult to establish a precise chronology; nevertheless, a copy made by the Weimar organist Johann Gottfried Walther in 1714 of the Fugue in G ...
Partita No. 1 in B Minor, BWV 1002 / Partita No. 2 in D Minor, BWV 1004 / Partita No. 3 in E Major, BWV 1006; Jascha Heifetz in Concert Last public concert (2 CDs) (Brooks Smith, Pianist) Franck: Sonata in A Major; Richard Strauss: Sonata in E-flat Major, Op. 18; Bach: Partita No. 3 in E Major, BWV 1006; Bloch: Baal Shem No 02, Nigun
Harrison Birtwistle arranged a number of Bach organ works as Bach Measures, for chamber orchestra (1996) Edward Elgar transcribed Bach's Fantasia and Fugue in C minor BWV 537 for orchestra; Sergei Rachmaninoff made a transcription of the Violin Partita in E major, BWV 1006, including the following movements: prelude, gavotte and gigue.
Johann Sebastian Bach composed suites, partitas and overtures in the baroque dance suite format for solo instruments such as harpsichord, lute, violin, cello and flute, and for orchestra. Harpsichord [ edit ]
BWV 1002 – Partita No. 1 in B minor; BWV 1003 – Sonata No. 2 in A minor; BWV 1004 – Partita No. 2 in D minor; BWV 1005 – Sonata No. 3 in C major; BWV 1006 – Partita No. 3 in E major. BWV 1006a – Suite in E major for solo lute (transcription of Partita No. 3 for solo violin, BWV 1006)
First page of J.S. Bach's Partita for Violin No. 3. Partita (also partie, partia, parthia, or parthie [1]) was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor until 1722), his student Christoph Graupner, and Johann Sebastian Bach used it for collections of musical pieces, as a synonym for suite.
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