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Genshiken (げんしけん) is a Japanese manga series by Shimoku Kio about a college club for otaku (extremely obsessed fans of various media) and their lifestyle. The title is a shortening of the club's official name, Gendai Shikaku Bunka Kenkyūkai (現代視覚文化研究会), or "The Society for the Study of Modern Visual Culture".
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Throughout the story, her subplot repeatedly affected this main plot. [ 2 ] Subplots are distinguished from the main plot by taking up less of the action, having fewer significant events occur, with less impact on the "world" of the work, and occurring to less important characters.
For example, digital storytelling, online and dice-and-paper-based role-playing games. In traditional role-playing games, storytelling is done by the person who controls the environment and the non-playing fictional characters, and moves the story elements along for the players as they interact with the storyteller. The game is advanced by ...
It is a literary element. The setting initiates the main backdrop and mood for a story. The setting can be referred to as story world [1] or milieu to include a context (especially society) beyond the immediate surroundings of the story. Elements of setting may include culture, historical period, geography, and hour.
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2]
A story within a story can be used in all types of narration including poems, and songs. Stories within stories can be used simply to enhance entertainment for the reader or viewer, or can act as examples to teach lessons to other characters. [2] The inner story often has a symbolic and psychological significance for the characters in the outer ...
In literature, the deuteragonist (/ ˌ dj uː t ə ˈ r æ ɡ ə n ɪ s t / DEW-tə-RAG-ə-nist; from Ancient Greek δευτεραγωνιστής (deuteragōnistḗs) 'second actor') or secondary main character [1] is the second most important character of a narrative, after the protagonist and before the tritagonist. [2]
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