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His professional knowledge of Beowulf, telling of a pagan world but with a Christian narrator, [2] helped to shape his fictional world of Middle-earth. His intention to create what has been called "a mythology for England" [T 2] led him to construct not only stories but a fully-formed world, Middle-earth, with languages, peoples, cultures, and ...
Classical music inspired by Middle-earth includes Johan de Meij's Symphony No. 1 "The Lord of the Rings" and Aulis Sallinen's Symphony No. 7 The Dreams of Gandalf. [33] Among many works of popular music that reference Tolkien's works is the Led Zeppelin song " Ramble On ", in which Gollum and the Dark Lord ( Sauron ) get up to some surprising ...
[T 1] Scholars have begun to accept fan fiction as one of multiple genres within the Middle-earth tradition. Early fan fiction was published in fanzines, followed by mailing lists and other Internet platforms. The genre accelerated with the arrival of the World Wide Web and specialised websites for fan fiction.
Tolkien meant Arda to be "our own green and solid Earth", seen here in the Baltistan mountains, "at some quite remote epoch in the past". [1]In J. R. R. Tolkien's legendarium, the history of Arda, also called the history of Middle-earth, [a] began when the Ainur entered Arda, following the creation events in the Ainulindalë and long ages of labour throughout Eä, the fictional universe.
Middle-earth is the setting of much of the English writer J. R. R. Tolkien's fantasy. The term is equivalent to the Miðgarðr of Norse mythology and Middangeard in Old English works, including Beowulf. Middle-earth is the oecumene (i.e. the human-inhabited world, or the central continent of Earth) in Tolkien's imagined mythological past.
The History of Middle-earth is a 12-volume series of books published between 1983 and 1996 by George Allen & Unwin in the UK and by Houghton Mifflin in the US. They collect and analyse much of J. R. R. Tolkien's legendarium, compiled and edited by his son Christopher Tolkien.
John S. Ryan, reviewing the book for VII, called it a "luminous companion" to the 12 volumes of The History of Middle-earth, and "clearly indispensable". [2] Ryan stated that it "pays a much merited tribute" [2] to Christopher Tolkien's six decades or more of work on his father's writings, indeed from his childhood as one of the original audience for The Hobbit.
J. R. R. Tolkien built a process of decline and fall in Middle-earth into both The Silmarillion and The Lord of the Rings.. The pattern is expressed in several ways, including the splintering of the light provided by the Creator, Eru Iluvatar, into progressively smaller parts; the fragmentation of languages and peoples, especially the Elves, who are split into many groups; the successive falls ...