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Dress forms of 1893. A dress form is a three-dimensional model of the human torso used for fitting clothing that is being designed or sewed.When making a piece of clothing, it can be put on the dress form so that one can see the fit and drape of the garment as it would appear on a body and make adjustments or alterations.
Mannequins in a clothing shop in Canada A mannequin in North India. A mannequin (sometimes spelled as manikin and also called a dummy, lay figure, or dress form) is a doll, often articulated, used by artists, tailors, dressmakers, window dressers and others, especially to display or fit clothing and show off different fabrics and textiles.
Maria Lassnig - self portraits and paintings focused on body awareness; Aristide Maillol – early 20th century; Milo Manara – Italian comic book writer and artist; Alfons Mucha – art nouveau; Patrick Nagel – modern day; Alice Neel - depicts women through the female gaze; Michael Parkes – modern day; George Petty – pin up art
Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
In 1961, Danish Egyptologist Erik Iverson described a canon of proportions in classical Egyptian painting. [2] This work was based on still-detectable grid lines on tomb paintings: he determined that the grid was 18 cells high, with the base-line at the soles of the feet and the top of the grid aligned with hair line, [3] and the navel at the eleventh line. [4]
It also may be the earliest extant European drawing of a nude female model. Main article: figure drawing A figure study is a drawing or painting of the human body made in preparation for a more composed or finished work; [ 1 ] or to learn drawing and painting techniques in general and the human figure in particular.
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The figura serpentinata is a variant or development of the pose. The term is usually applied only to art from the Renaissance onwards, and Donatello is often regarded as its inventor. [4] While in all these periods the S-curve originated in sculpture, it was also used in two-dimensional figures in various other media.
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