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Las Damas Romanas (literally, "The Roman Dames"), also known as The Roman Maidens, The Roman Women, [1] or The Roman Ladies, [2] [3] is an oil on canvas painted in the style of Neo-Classicism by Juan Luna, one of the most famous Filipino painters of the Spanish period in the Philippines. [4]
He also created albums of illustrations of native costumes. This he did primarily to sell to collectors. Such skills made Domingo one of the most famous and sought-after artists of his time in the Philippines. Domingo is regarded highly in the history of Filipino art and is credited with establishing academic courses in art in the Philippines. [2]
Other Asian and Western cultures influenced the art of painting. From the 16th century to the end of the colonial period, religious paintings were used to spread Catholicism. Most were part of churches, such as ceilings and walls. Non-religious paintings were also known. [228]
Félix Resurrección Hidalgo y Padilla (February 21, 1855 – March 13, 1913) was a Filipino artist. He is acknowledged as one of the greatest Filipino painters of the late 19th century, and is significant in Philippine history for having been an acquaintance and inspiration for members of the Philippine reform movement which included José Rizal, Marcelo del Pilar, Mariano Ponce, and Graciano ...
Rey Mudjahid Ponce Millan (born 8 July 1974), better known as Kublai Millan or Kublai, is a Filipino painter, sculptor, curator, and cultural mover from Mindanao.He is known for his monumental sculptures, his colorful paintings, and his culture and arts community engagements.
The University of Santo Tomas Museum owns one of Asuncion’s paintings, dated February 1862. An unsigned portrait of Fr. Melchor Garcia de Sampedro at the UST Museum is said to be the work of Asuncion. Most of his other works are kept as national treasures at the Central Bank of the Philippines and the Philippines Museum.
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Onib Olmedo (July 7, 1937 – September 8, 1996) was a Filipino painter acclaimed by critics as one of the major Filipino artists of the 20th century. Olmedo created a body of works that utilizes the expressionist technique of distortion to portray the inner torment experienced by modern man.