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Tonguing is a technique used with wind instruments to enunciate notes using the tongue on the palate or the reed or mouthpiece. A silent "tee" [ 2 ] is made when the tongue strikes the reed or roof of the mouth causing a slight breach in the air flow through the instrument.
Phonetic singing is singing by learning and performing the lyrics of a song by the words' phonetic sounds, without necessarily understanding the content of the lyrics.For example, an artist performs in Spanish even though they may not be proficient in the language or understand the meaning.
Phonetic reversal is the process of reversing the phonemes or phones of a word or phrase. When the reversal is identical to the original, the word or phrase is called a phonetic palindrome. Phonetic reversal is not entirely identical to backmasking, which is specifically the reversal of recorded sound.
Singing is produced while a singer is inhaling. This technique combined with exhaling and other techniques can produce a continuous stream of voice that is widely used in extreme metal styles like death metal, it is also employed in other styles to create a strained or even humorous effect. [citation needed]
Flapping or tapping, also known as alveolar flapping, intervocalic flapping, or t-voicing, is a phonological process involving a voiced alveolar tap or flap; it is found in many varieties of English, especially North American, Cardiff, Ulster, Australian and New Zealand English, where the voiceless alveolar stop consonant phoneme /t/ is pronounced as a voiced alveolar flap [ɾ], a sound ...
[clarification needed] Nowadays, a "revival" of folk singing made this style universal, equal and de facto flat. Field work shows that the style is more complex than just singing "on nose" and loud. [1] It depends mainly on the country/region, speech, voice color, sound, solo or polyphonic singing and individual expression of a singer.
Clicks have traditionally been described as consisting of a forward place of articulation, commonly called the click "type" or historically the "influx", and a rear place of articulation, which when combined with the quality of the click is commonly called the click "accompaniment" or historically the "efflux".
Sprechgesang is more closely aligned with the long-used musical techniques of recitative or parlando than is Sprechstimme.Where the term is employed in this way, it is usually in the context of the late Romantic German operas or "music dramas" that were composed by Richard Wagner and others in the 19th century.
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