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The designs used in Kasuti reflect traditional patterns like palanquins, elephants and lotuses which are embroidered onto Ilkal saris. These saris are usually 9 yards in length and the pallu of the Ilkal sari (the part worn over the shoulder) carries designs of temple towers. [2] This pallu is usually made of red silk with white patterns. [3]
A lehenga-style sari is normally 4.5 metres (5 yards) to 5.5 metres (6 yards) long. To wear one, unlike a sari, one does not have to form pleats but may simply tuck and drape. Like that of a traditional sari, the lehenga-style sari is worn over a petticoat (inskirt; pavadai or langa in the south, and shaya in eastern India, Lehenga in western ...
A sari (sometimes also saree [1] or sadi) [note 1] is a drape (cloth) [2] and a women's garment in the Indian subcontinent. [3] It consists of an un-stitched stretch of woven fabric arranged over the body as a dress, with one end attached to the waist, while the other end rests over one shoulder as a stole, [4] [5] sometimes baring a part of the midriff.
This style of tying the saree is the "koshavam" style (that is going between the legs, in the typical style used by men). Tamil Brahmin women are required to use this style after their marriage [citation needed]. Different communities have evolved different sari styles from the original koshavam style, that requires more material - nine yards.
For draping a nineyard sari, you should have some guidance for it is a technique to wear it. There are many occasions when women choose to wear nine-yard saris but the drawback is they do not know the technique. Ready-to-wear nine-yard sari is the perfect solution for such problems.
Golden threads are obtained from Surat, the quality being 1200 yard (1080 meters) per tola (11.664 grams). Gold threads are used in double and one of the finest varieties so much so that the closely woven surface looks like a mirror. The texture of the fabric is fairly compact with about 160 ends and 170 picks per inch (2.6 cm).
The production of the Dharmavaram saris and Paavadas includes different stages which includes: [5] Raw materials – pure Mulberry silk in yarn form or raw silk, zari threads of red, green, silver and gold, acid dyes, soap and soda for degumming, water
Sambalpuri textiles today include furnishing materials, dress materials and saris in silk, cotton and mercerised cotton in a variety of colours and many different designs. Baandha craftsmen are also masters of the 'extra warp' and 'extra weft' style of designing which can be seen in almost all forms of Baandha textiles.