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Slave bracelets are a piece of jewelry associated with several cultures. The term refers to the hand adornment often worn by belly dancers or associated with harem jewelry. The slave bracelet or hand chain consists of a bracelet that attaches to a ring via a chain, bejeweled links, or other ornate hand connector along the back of the hand.
The bracelet, inscribed "dom(i)nus ancillae suae" ("the master to his very own slave girl"), has been interpreted variously as a gift to a domestic slave, a slave prostitute, or a free woman from her lover. At the Murecine/Moregine site was a large Roman hotel or hospitium. [1]
In regions outside coastal west Africa and the Niger River a variety of other currencies, such as bracelets of more complex native design, iron units often derived from tools, copper rods, themselves often bent into bracelets, and the well-known Handa (Katanga cross) all served as special-purpose monies. As the slave trade wound down in the ...
In the book, such a ring is worn by a female "slave" after she has finished her training at Roissy. Those wearing the ring are obliged to be obedient to any man who belongs to the secret society of Roissy (whose emblem is the triskelion), and must allow him to do absolutely everything with them that he pleases.
This is an accepted version of this page This is the latest accepted revision, reviewed on 24 January 2025. English poet and artist (1757–1827) For other people named William Blake, see William Blake (disambiguation). William Blake Portrait by Thomas Phillips (1807) Born (1757-11-28) 28 November 1757 Soho, London, England Died 12 August 1827 (1827-08-12) (aged 69) Charing Cross, London ...
In BDSM, a collar is a device of any material worn by a person to indicate their submissive or slave status in a BDSM relationship. A person wearing a collar to symbolize their relationship with another is said to be collared. Collars are used to signify ownership or connection within a dom/sub relationship.
These cameos were worn as pendants, inlaid in snuff boxes, and used to adorn bracelets and hair pins, rapidly becoming fashionable symbols of the British abolition movement. [1] [2] The medallion helped to further the abolitionist cause and is today accepted as "the most recognizable piece of antislavery paraphernalia the movement ever produced ...
One particularly popular type of design at this time was a bracelet decorated with snake and animal-heads Because these bracelets used considerably more metal, many examples were made from bronze. By 300 BC, the Greeks had mastered making coloured jewellery and using amethysts, pearl, and emeralds.