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Yamāntaka (meaning 'terminator of Yama i.e. Death') is the wrathful manifestation of Mañjuśrī, popular within the Gelug school of Tibetan Buddhism. Other variations upon his traditional form as Mañjuśrī include Namasangiti, Arapacana Manjushri, etc. In Tibetan Buddhism, Mañjuśrī is also an yidam.
The Handbook of Tibetan Buddhist Symbols. Serindia Publications, Inc. ISBN 978-1-932476-03-3. Cunningham, Sir Alexander (1962). The Stūpa of Bharhut: A Buddhist Monument Ornamented with Numerous Sculptures Illustrated [sic] of Buddhist Legend and History in the Third Century B.C. Indological Book House. Dalal, Roshen (18 April 2014).
3D printing processes; Thingiverse - open CAD repository/library for 3D printers, laser cutters, milling machines; MyMiniFactory - 3D printing marketplace; CAD library - 3D repository to download 3D models; Fused filament fabrication - 3D printing process that uses a continuous filament of a thermoplastic material
The endless knot or eternal knot is a symbolic knot and one of the Eight Auspicious Symbols. It is an important symbol in Hinduism, Jainism and Buddhism. It is an important cultural marker in places significantly influenced by Tibetan Buddhism such as Tibet, Mongolia, Tuva, Kalmykia, and Buryatia. It is also found in Celtic, Kazakh and Chinese ...
In Buddhist art and culture, the Urna (ūrṇā, ūrṇākeśa or ūrṇākośa [1] [2] (Pāli uṇṇa), and known as 白毫; báiháo in Chinese) is a spiral or circular dot placed on the forehead of Buddhist images as an auspicious mark.
In Buddhism, the three marks of existence are three characteristics (Pali: tilakkhaṇa; Sanskrit: त्रिलक्षण trilakṣaṇa) of all existence and beings, namely anicca (impermanence), dukkha (commonly translated as "suffering" or "cause of suffering", "unsatisfactory", "unease"), [note 1] and anattā (without a lasting essence).
Buddhist influences on print technology in East Asia are far-reaching. The history of writing in Asia dates back to the 13th century BC. China used bones and shells for religious inscriptions in the form of divinations. [1] From these beginnings, numerous forms of writing and printing were developed.
Gohonzon (御本尊) is a generic term for a venerated religious object in Japanese Buddhism.It may take the form of a scroll or statuary. The term gohonzon typically refers to the mainstream use of venerated objects within Nichiren Buddhism, referring to the calligraphic paper mandala inscribed by the 13th Japanese Buddhist priest Nichiren to which devotional chanting is directed.