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Yamāntaka (meaning 'terminator of Yama i.e. Death') is the wrathful manifestation of Mañjuśrī, popular within the Gelug school of Tibetan Buddhism. Other variations upon his traditional form as Mañjuśrī include Namasangiti, Arapacana Manjushri, etc. In Tibetan Buddhism, Mañjuśrī is also an yidam.
Myōken (Sanskrit: सुदृष्टि, Sudṛṣṭi; Chinese: 妙見菩薩 (Traditional) / 妙见菩萨 (), pinyin: Miàojiàn Púsà; Japanese: 妙見菩薩, Myōken Bosatsu), also known as Sonjō-Ō (尊星王, "Venerable Star King", also Sonsei-Ō or Sonshō-Ō), is a Buddhist deification of the North Star worshiped mainly in the Shingon, Tendai and Nichiren schools of Japanese Buddhism.
In Japanese the symbol is called "卍 " (Hepburn: manji) or "卍字 " (manji). The swastika is included in the Unicode character sets of two languages. In the Chinese block it is U+534D 卍 (left-facing) and U+5350 for the swastika 卐 (right-facing); [ 55 ] The latter has a mapping in the original Big5 character set, [ 56 ] but the former does ...
Buddhist influences on print technology in East Asia are far-reaching. The history of writing in Asia dates back to the 13th century BC. China used bones and shells for religious inscriptions in the form of divinations. [1] From these beginnings, numerous forms of writing and printing were developed.
The number of jieba scars that a monk will receive ranges from three to twelve, [5] [8] though historically as many as eighteen have been used. [7] The meaning of the jieba varies, with some definitions being refuge in the three jewels, or alternatively symbolizing the three Buddhist characteristics of discipline, concentration, and wisdom, [9] especially when these marks are made in multiples ...
In Buddhism, the three marks of existence are three characteristics (Pali: tilakkhaṇa; Sanskrit: त्रिलक्षण trilakṣaṇa) of all existence and beings, namely anicca (impermanence), dukkha (commonly translated as "suffering" or "cause of suffering", "unsatisfactory", "unease"), [note 1] and anattā (without a lasting essence).
The endless knot or eternal knot is a symbolic knot and one of the Eight Auspicious Symbols. It is an important symbol in Hinduism, Jainism and Buddhism. It is an important cultural marker in places significantly influenced by Tibetan Buddhism such as Tibet, Mongolia, Tuva, Kalmykia, and Buryatia. It is also found in Celtic, Kazakh and Chinese ...
According to Buddhist scholar E. Lamotte, Vajrapani was the chief of the Guhayakas (genies des cavernes), who played an important role in Esoteric Buddhist and Brahmanical literature of India. Lamotte based his assessment on many textual passages which explained Vajrapani's use of his magic vajra to shake mountains.