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The Areopagus sermon refers to a sermon delivered by Apostle Paul in Athens, at the Areopagus, and recounted in Acts 17:16–34. [1] [2] The Areopagus sermon is the most dramatic and most fully-reported speech of the missionary career of Saint Paul and followed a shorter address in Lystra recorded in Acts 14:15–17. [3]
The work never mentions Finland and Russia directly, but the song was interpreted to replace Athens with Finland and Persia with Russia. [2] The work was the one of three published under the title 3 songs for chorus, Op. 31. Each song, however, has a different purpose and instrumentation. [1] [2]
When Paul and Silas could not be found, the mob took a man named "Jason", as one of Paul's followers, to the civic authorities (called politarchs in verse 6; a title attested in inscriptional evidence for Thessalonica) [13] with a charge of disturbance (verses 6–7) [10] that Paul's teaching of "the Kingdom" (cf. Acts 28:31) was 'inherently ...
Princess Aegle is in love with Theseus and prays for his safe return from battle against rebels who are threatening King Aegeus of Athens. Aegeus enters victorious. He tells Aegle he is in love with her, despite being betrothed to the sorceress Medea. Égée says he now intends to marry Medea to his son, whom he has hidden away at Troezen and ...
Fragments of both hymns in the Delphi Archaeological Museum. The Delphic Hymns are two musical compositions from Ancient Greece, which survive in substantial fragments.They were long regarded as being dated c. 138 BC and 128 BC, respectively, but recent scholarship has shown it likely they were both written for performance at the Athenian Pythaids in 128 BC. [1]
"Song for Athene", which has a performance time of about seven minutes, is an elegy consisting of the Hebrew word alleluia ("let us praise the Lord") sung monophonically six times as an introduction to texts excerpted and modified from the funeral service of the Eastern Orthodox Church and from Shakespeare's Hamlet (probably 1599–1601). [4]
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The epitaphios logos is regarded as an almost exclusive Athenian creation, although some early elements of such speeches exist in the epos of Homer and in the lyric poems of Pindar. " Pericles' Funeral Oration ", delivered for the war dead during the Peloponnesian War of 431-401 BC, is the earlier extant example of the genre.