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"Let Her Cry" is a song by American rock band Hootie & the Blowfish. It was released in December 1994 as the second single from their debut album, Cracked Rear View (1994), and became a top-10 hit in Australia, Canada, Iceland, and the United States.
Cracked Rear View is Hootie & the Blowfish's most successful album. While initial sales were modest and it debuted at 127 on the Billboard 200, [17] it topped that chart five times in 1995 [18] and was the best-selling album of 1995 in the United States, selling 7 million copies, [19] besting the second-place Crazysexycool by 2.2 million. [20]
On February 28, 1996, at the 38th Annual Grammy Awards, Hootie & the Blowfish won the Grammy for Best Pop Performance by a Duo or Group with Vocal (for the single "Let Her Cry") and the Grammy for "Best New Artist". [11] [12] [13] The band appeared on MTV Unplugged on the eve of the release of their second album, Fairweather Johnson (1996). The ...
"Hold My Hand" – 4:15 "Only Wanna Be with You" – 3:46 "Time" – 4:53 "Let Her Cry" – 5:08 "Not Even the Trees" – 4:37 "Old Man & Me (When I Get to Heaven)" – 4:27 "Hey, Hey, What Can I Do" – 3:52
"Let Her Cry" – 5:18 "I Go Blind" – 2:56 "Old Man and Me" – 5:06 "Drowning" – 5:59 "Get Out of My Mind" – 2:37 "Hold My Hand" – 4:52
Fairweather Johnson is the second studio album by American rock band Hootie & the Blowfish, released on April 23, 1996, through Atlantic Records.Three songs from the album were released as singles: "Old Man & Me", "Tucker's Town", and "Sad Caper".
"The Tortured Poets Department" Song Meaning and Easter Eggs. The title track sure sounds a lot like a romance with Healy: She describes choosing a "cyclone" with a partner who she describes as a ...
Debra Kate Schafer of The Aquarian Weekly characterized this work as "there is no surprising moment on the record, which is beneficial in the sense that you’re not slapped in the face with something too edgy or radical, but it also means that there is no standout moment either" and continued that many individual songs are standout, but the album is not cohesive. [1]