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Goodman continued his success throughout the late 1930s with his big band, his trio and quartet, and the sextet formed in August 1939, the same month Goodman returned to Columbia Records after four years with RCA Victor. At Columbia, John Hammond, his future brother-in-law, produced most of his sessions.
Jon Hancock: " Benny Goodman – 'The Famous 1938 Carnegie Hall Jazz Concert' ". ISBN 0-95-624040-2, Prancing Fish Publishing (May 2009) Irving Kolodin: Liner Notes (Benny Goodman – Carnegie Hall Concert) Catherine Tackley: 'Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert', Oxford: Oxford University Press 2013 ISBN 978-0-19-539831-1
It should only contain pages that are Benny Goodman songs or lists of Benny Goodman songs, as well as subcategories containing those things (themselves set categories). Topics about Benny Goodman songs in general should be placed in relevant topic categories .
Unlike most big band arrangements of that era, limited in length to three minutes so that they could be recorded on one side of a standard 10-inch 78-rpm record, the version which Goodman's band recorded was an extended work. The 1937 recording lasted 8 minutes and 43 seconds, and it took up both sides of a 12-inch 78.
The "white" bands of Benny Goodman, Artie Shaw, Tommy Dorsey, Shep Fields and, later, Glenn Miller were more popular than their "black" counterparts from the middle of the decade. Bridging the gap to white audiences in the mid-1930s was the Casa Loma Orchestra and Benny Goodman's early band. The contrast in commercial popularity between "black ...
Goodman used "Let's Dance" as an opening for almost all of his performances, eventually becoming his official theme song. [1] The song was composed by Gregory Stone and Joseph Bonime, with lyrics written by Fanny May Baldridge. Goodman never recorded the theme with the lyrics, although The Modernaires recorded it in a tribute to him in 1954. [2]
"Room 1411" is a 1928 instrumental composed by Glenn Miller and Benny Goodman and released as a Brunswick 78 by Benny Goodman's Boys. The song was Glenn Miller's first known composition and was an early collaboration between Glenn Miller and Benny Goodman, who would become the most successful bandleaders of the Big Band Era during the 1930s and ...
From Spirituals to Swing was the title of two concerts presented by John Hammond in Carnegie Hall on 23 December 1938 and 24 December 1939. The concerts included performances by Count Basie, Benny Goodman, Big Joe Turner and Pete Johnson, Helen Humes, Meade Lux Lewis, Albert Ammons, Mitchell's Christian Singers, the Golden Gate Quartet, James P. Johnson, Big Bill Broonzy and Sonny Terry.
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