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The wearing of beadwork among the various Manobo tribes is culturally very important. The number, colors, and patterns vary by tribe and by status. The largest type of bali-og is a women's necklace known as ginibang. Its name means "monitor lizard" due to the resemblance of the patterns to monitor lizard scales. [1] [2] [3]
Beadwork is the art or craft of attaching beads to one another by stringing them onto a thread or thin wire with a sewing or beading needle or sewing them to cloth. [1] Beads are produced in a diverse range of materials, shapes, and sizes, and vary by the kind of art produced.
CLOCKWISE FROM TOP LEFT: Figura necklace, Renato Cipullo.• Bordered correspondence cards, Smythson.• Francesca Villa Pumpkin of Two Halves ring, Muse.• Mellerio Lien Or long chain and ...
As early as the Old Kingdom (c. 2670–2195 B.C.), Egyptian artisans fashioned images of deities, kings, and mortals wearing broad collars made of molded tubular and teardrop beads. [1] The Usekh or Wesekh is a personal ornament, a type of broad collar or necklace, familiar to many because of its presence in images of the ancient Egyptian elite.
By 1500 BC, the peoples of the Indus Valley were creating gold earrings and necklaces, bead necklaces, and metallic bangles. [citation needed] Before 2100 BC, prior to the period when metals were widely used, the largest jewellery trade in the Indus Valley region was the bead trade. Beads in the Indus Valley were made using simple techniques.
The bead with its design than has to be fired at the proper temperature, not too hot lest the beads fractures, but hot enough so as to permit the chemical etching of the carnelian stone. [10] The result design comes out beautifully white, usually with some surface calcinated residues which can be easily brushed away. [10] [5]
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