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Poe biographer James Hutchisson equates "The Oblong Box" with Poe's series of "tales of ratiocination" or detective fiction stories, a series which includes "The Murders in the Rue Morgue". [12] Scott Peeples compares "The Oblong Box" to this genre as well but notes that it is not strictly a detective story because it did not emphasize the ...
Poe, Harry Lee (2008). Edgar Allan Poe: An Illustrated Companion to His Tell-Tale Stories. New York: Metro Books. ISBN 978-1-4351-0469-3. Scherting, Jack (October 1968). "The Bottle and the Coffin: Further Speculation on Poe and Moby-Dick". Poe Newsletter. I (2). Silverman, Kenneth (1991). Edgar A. Poe: Mournful and Never-ending Remembrance ...
Virginia Eliza Poe (née Clemm; August 15, 1822 – January 30, 1847) was the wife of the American writer Edgar Allan Poe. The couple were first cousins and publicly married when Virginia Clemm was 13 and Poe was 27.
Edgar Allan Poe (né Edgar Poe; January 19, 1809 – October 7, 1849) was an American writer, poet, editor, and literary critic who is best known for his poetry and short stories, particularly his tales involving mystery and the macabre.
The finale is based on another short story. The finale has elements of Poe's “The Cask of Amontillado.” In the story, a man named Montresor seeks revenge on another man named Fortunato ...
The title of the 1908 book together with its formula of compiling Poe's most bewildering tales into a single volume continues to be used by other publishers. In 1919 London's George G. Harrap and Co. published an edition illustrated by Harry Clarke in black and white. In 1923 an expanded edition was released with many more illustrations ...
The editor of the Dollar Newspaper printed "The Spectacles" with the comment that "it is one of the best from [Poe's] chaste and able pen and second only to the popular prize production, 'The Gold-Bug.'" [2] Editor John Stephenson Du Solle reprinted the story in his daily newspaper The Spirit of the Times in Philadelphia, saying, "Poe's Story ...
Laura Grace Pattillo wrote in The Edgar Allan Poe Review (2006), "[Tait's] play follows Poe's original story quite closely, using a female Chorus figure to help further the tale as the 'Friend' (as Tait names the narrator) alternates between monologue and conversation with Usher." [43]
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