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The Shurangama or Śūraṅgama mantra is a dhāraṇī or long mantra of Buddhist practice in East Asia. Although relatively unknown in modern Tibet, there are several Śūraṅgama Mantra texts in the Tibetan Buddhist canon. It has strong associations with the Chinese Chan Buddhist tradition.
Some Buddhist scholars argue that the mantra as practiced in Tibetan Buddhism was based on the Sadhanamala, a collection of sadhana or spiritual practices published in the 12th century. [27] However, according to Peter Alan Roberts, "the primary source for Tibetan Avalokitesvara practices and teachings" is the 11th-century Maṇi Kambum. [28]
The Śūraṅgama Mantra of the Śūraṅgama Sūtra is the most commonly practiced mantra invoking her. [citation needed] According to Thubten Zopa Rinpoche, the "Great White Umbrella" is a sādhanā for healing illness, dispelling interferences and spirit possession, quelling disasters, and bringing auspiciousness.
According to Tibetan Buddhism, all beings are seen as containing the "buddha embryo". Even though this Buddha potential is innately present, it is covered over by defilements. [9] In Tibetan Buddhism, there is said to be no strict separation between samsara and nirvana, rather they exist in a continuum. Indeed, "continuum" is the main meaning ...
The text is originally a Sanskrit Indian Buddhist work, and it is the most popular prayer to Tara in Tibetan Buddhism. [ 1 ] The Praise appears in the Derge Kangyur as "“Offering Praise to Tara through Twenty-One [verses] of Homage” ( Wylie : sgrol ma la phyag 'tshal ba nyi shu gcig gis bstod pa)."
Musical chanting, most often in Tibetan, is an integral part of Tibetan Buddhism. These chants may be simple or complex recitations of sacred texts for various occasions. Chanting accompanied by a melody (dbyangs) is often used as part of Tibetan Buddhist rituals, ceremonies, festivals, and sadhanas.
Mani stones are stone plates, rocks, or pebbles inscribed with the six-syllabled mantra of Avalokiteshvara [1] (Om mani padme hum, hence the name mani stone) as a form of prayer in Tibetan Buddhism. The term mani stone may also be used to refer to stones on which any mantra or devotional designs (such as ashtamangala ) are inscribed or painted.
[11] [63] Mantra and dharani are synonymous in some Buddhist traditions, but in others such as the Tibetan tantric traditions a dharani is a type of mantra. [ 64 ] [ 65 ] According to Jose Cabezon, in the tantric traditions, mantra ( sngags ) is all knowledge and the mind of all the Buddhas, that which possesses the dharma-dhatu (essence of ...