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The next keyboard amp in the Peavey line is the KB 2. It has one ten-inch speaker "four separate channels, including a mic input on channel 3 and a monitor input on channel 4", a "2-band EQ per channel, headphone out, FX send/return, and balanced XLR out", and it is rated at 40 watts. [3] This amp would be a good model for at-home practice.
The dual channel amplifier [9] uses pre-amp valves (most specifically the EF86 pentode) that are associated with smaller Vox amps. [10] The range includes 15, 30, and 100-watt models in both head and combo form. The 15 and 30-watt combos were called "substantial amps that provide substantial tones" in Vintage Guitar. [2]
The I/C100 was also put in a cabinet (called a Combo) with 2 x 12" Celestion Speakers. Following a move to Bar Hill, Cambridge circa 1975, or just before, HH extended its range of sound reinforcement equipment to include models such as the MA100 Mixer Amplifier, a 100 watt, 5 channel PA amplifier 'head' with a switchable spring reverb. The ...
Combination (combo) amplifiers include a preamplifier, a power amplifier, tone controls, and one or more speakers in a cabinet, a housing or box usually made of wood. Instrument amplifiers for some instruments are also available without an internal speaker; these amplifiers, called heads , must plug into one or more separate speaker cabinets.
The 2×12 combo features 60 watts of RMS output power into 16 or 8ohms. It also features five 12AX7 preamps tubes and two 6L6GC power amp tubes. This combo also comes with a built in spring reverb unit that the head model does not have, controllable via the footswitch and indicated by a green LED when active. (Pg 3, button #9 in the manual) [13]
A 2×12-inch combo had the option of sending the first channel into the second, probably inspired by Marshall users doing the same trick with a jumper cable. [8] The 1972 Park 75 put out about 100 watts by way of two KT88s, whereas the comparable 50-watt Model 1987 of that time used 2 EL34 tubes.
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