Search results
Results from the WOW.Com Content Network
Tap dance (or tap) is a form of dance that uses the sounds of tap shoes striking the floor as a form of percussion; it is often accompanied by music. [1] Tap dancing can also be a cappella, with no musical accompaniment; the sound of the taps is its own music. It is an African-American artform that evolved alongside the advent of jazz music.
Tap, with origins in Africa and Europe, was a style that was often seen. [33] A West African dance style called Gioube, a step-style dance, was mixed with Scottish and Irish clog-shoe dances to create tap. [34] Vaudeville saw two types of tap: buck-and-wing and four-four time soft shoe. Buck-and-wing consisted of gliding, sliding, and stomping ...
I'd never seen a woman dance like she did before. She danced like the guys." [3] In 2007, tap dancer Jason Samuels Smith mentioned that important people in tap dance are often omitted from the history when tap is taught, including Pitts. [10] Around 1998, Pitts was included in a touring film and photo exhibition from the Philadelphia Folklore ...
Portrait of Boz's Juba from an 1848 London playbill. Master Juba (ca. 1825 – ca. 1852 or 1853) was an African-American dancer active in the 1840s. He was one of the first black performers in the United States to play onstage for white audiences and the only one of the era to tour with a white minstrel group.
Miller Brothers and Lois tap dance act (50:50 to 56:28) in Hi De Ho. Miller Brothers and Lois, a renowned tap dance class act team, comprising Danny Miller, George Miller and Lois Bright, was a peak of platform dancing [1]: 328 with the tall and graceful Lois said to distinguish the trio. [2]
The Greatest Tap Dance Stars And Their Stories 1900-1955." "These were the days before digital recorders, streaming TV and YouTube, so if you wanted to see tap dancing, you had to sit in front of ...
Howard "Sandman" Sims (January 24, 1917 – May 20, 2003) was an African-American tap dancer who began his career in vaudeville.He was skilled in a style of dancing that he performed in a wooden sandbox of his own construction, and acquired his nickname from the sand he sprinkled to alter and amplify the sound of his dance steps.
The Shim Sham goes best with swing songs whose melody lines start on beat eight, as does the choreography. An obvious choice is The Shim Sham Song (Bill Elliot Swing Orchestra), which was written specifically for this dance and has musical effects (e.g., breaks) in all the right places.